Selika Laszevski is in fact so little known, many historians question her existence at all.
The portrait here was taken by Felix Nadar in 1891, Paris, France. The photo is thought to be of Lasveski, but it is not certain. Some historians speculate that this photograph was taken of an unknown model and Nadar attached a story to her to promote his work.
Whether fictionalized or not, the story goes that Laszevski was a 19th-century equestrian, an écuyère of the Haute école, or equestrian of the high school of dressage. High school meaning of the highest level in classical dressage–the disciplined “equestrian ballet” that has its origins in the military, going as far back as Xenophon’s On Horsemanship, one of the two works of literature on horsemanship by the Greek soldier Xenophone who lived c. 430 – 354 BC.
Although little is know of this equestrian, a short film has made and produced about her by award-winning writer-director Sybil Mair Sybil Mair. The film titled “The Adventures of Salika was released in September of 2017. It is a coming of age story about an African princess who must forge her own way in the world after being displaced by war. She ends up in France and makes her way to the Haute école.
I first started studying natural horsemanship in 2012. At that time, I thought I had a good foundation in my knowledge and skills. My relationship with my horses seemed solid. Once I started learning about the principals and practices of natural horsemanship, I realized that I had little understanding of what it is to be a good partner to my horse. My knowledge, my practice, and my “feel”, needed improvement.
I had basic handling skills, decent riding skills, and I did fairly well at competition. To many, that would be enough—and there is nothing wrong with that. But, I wanted more. Seeing the holes in my knowledge, my understanding, and my foundation was startling, humbling, and even a little dispiriting. Yet, recognizing my weaknesses only made me want to turn them into strengths. I had found a challenge.
And, nothing excites me more than a challenge!
As Karen Rohlf says in her book, Dressage Naturally … Results in Harmony, “to find holes in your foundation, it is a gift.” She further explains that we must continue to work on our foundation, and constantly nurture it.
One of the things I have learned in my own journey is that to excel at anything in life, we must always go back to the basics. We must revisit our weaknesses, work on them, and challenge them. Having patience with the process and with ourselves is never easy, but it can be well worth the time it takes to go back.
While surfing the internet, I stumbled across the video below that was shot in 2016. One of the Parelli Natural Horsemanship instructors asked me to say a few words about the Parelli program and what I valued most about it. What I saw then, is the value of going back to the basics.
The biomechanics course starts with basic communication with our body language, energy, and intent. These are always things we must be aware of when playing with or working with our horses—they are so sensitive to our physical and emotional cues. (For more information on healthy biomechanics visit http://dressagenaturally.net )
Like with anything in life, if we want to learn and move forward, we often must take a few steps back. It never hurts to go back to the beginning—especially with fresh eyes and a new perspective. I like to think of it like adding on to a beautiful quilt. Sometimes we have to go back and repair some of the stitches that have worn over time, but it only makes the new patches we sew on all the more beautiful and bright.